Lot n° 11
Estimation :
150 - 200
EUR
Result without fees
Result
: 120EUR
Max ELSKAMP - 7-volume set. - Lot 11
Max ELSKAMP - 7-volume set.
- Chansons d'amures. Antwerp, J.-E. Buschmann, 1923. Small in-4, 222 x 167 mm, paperback, decorated cover, uncut. Original edition limited to 150 copies. One of 100 on Featherweignt, unjustified. De Sadeleer, 54-55.
- Les sept Notre Dame des plus beaux métiers. Antwerp, Albert De Tavernier (J.-E. Buschmann), 1923. In-4, 325 x 255 mm, paperback, uncut (foxing on upper cover). First edition. Illustrated with 32 different woodcuts, 7 of which are full-page, printed in black except for the shamrock, printed in daffodil. Title vignette and frame with spaced hearts encircling each page, printed in daffodil. The seven poems and seven Virgins honor respectively the Imagiers, the Maçons, the Bateliers, the Jardiniers, the Menuisiers, the Meuniers and the Horlogers. Limited edition of 156 numbered copies. One of 150 on Hollande (no. 80). De Sadeleer, 56.
- Les Fleurs vertes. Bruxelles, Nouvelle Société d'Édition, 1934. In-8, 262 x 183 mm, paperback, gray-green cover with 1 flap. Original edition decorated with 61 original woodcuts in yellow lacquer, 7 of which appear only here. "In execution of one of the author's last wishes, two hundred copies of this collection have been printed by J.-E. Buschmann in Antwerp, to be given to the various libraries of Belgium, both Communal and University. These copies, printed on Snow White paper, are numbered from 1 to 200. 12 copies were also printed on handmade "Pannekoek" paper from Holland. Unjustified copy on paper watermarked with a skeleton hand, reserved for heirs. Very rare, according to P. de Sadeleer. A hand has delicately annotated in graphite the provenance of each wood. De Sadeleer, 69.
- Les Joies blondes. Bruxelles, Nouvelle Société d'Édition, 1934. In-8, 258 x 180 mm, polished brown half-chagrin with corners, cold-stamped fillets on covers, spine decorated with four gilt beaded nerves, fleuron in center of spine, cover preserved (slight scraping to spine, slightly faded). PRINTER'S COPY. Largely original edition of 212 numbered copies, illustrated with 65 different woodcuts, 14 of which appear only here. Unnumbered passe-partout copy, on paper watermarked with a skeleton hand (see no. ???). The copy comes from the Buschmann Library (pencil mark H3 and remnant of a label). It also bears pencil annotations indicating the presence of antlers in other works. Described by Pascal de Sadeleer at no. 70: "Of great rarity".
- Chansons d'amures. With six intaglios by Margot WEEMAES. Antwerp, Ch. Stockmans, J.-E. Buschmann, 1937. In-4, leaves, in ornate cover and polished wood-edged publisher's folder, gray cloth drawstrings, uncut. 6 full-page intaglios. Limited edition of 215 numbered copies. One of 200 on Arches with the intaglios included in the pagination (no. 21). De Sadeleer 76. Scattered foxing.
- Huit chansons reverdies, quatre pleurent et quatre rient, followed by notes on Max Elskamp by Albert Mockel. Bruxelles, Éditions du Cercle d'Art, (1942). In-8, 222 x 144 mm, paperback, filled cover. Uncut. First trade edition of 245 numbered copies. One of 175 on Antique de luxe (no. 136). The pre-original appeared in 1932 (NRF, August 1, 1932, no. 227).
- Six Chansons de pauvre homme pour célébrer la semaine de Flandre. Followed by Huit Chansons de NORGE. (Lyon), Les Écrivains Réunis, Armand Henneuse, (1954). In-16, 145 x 110 mm, paperback, daffodil ornament to upper board, uncut (slight transfer to faux-title). Norge's preface is in the original edition. Collective edition of 30 numbered copies on Johannot. Unjustified copy. De Sadeleer, 82.
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